Ritchie Valens:
• Donna – There was time that I was sharing office space with a denturist named Jim who had a technician named Donna and a secretary / receptionist named Donna, and I had, at the same time, a secretary named Donna. She was the only person I ever fired. Then there was Donna W, whom I barely knew way back when in childhood. And there was recently a Donna in my French class; she was older than me, at least 10 years, and shared my surname. The song, that’s what we’re here for, right? The song was as good a specimen of wimp rock as can be found; Air Supply eat your hearts out. It was big, and that was in the winter of 1959.
• Come On Let’s Go – And this is party music. Valens’ debut, from the fall of 1958. A small and not much remembered hit for The McCoys, at least. This, not Donna, was probably Ritchie’s greatest moment.
• Bony Maronie – Richie does Larry Williams. He won’t make you forget Williams any time soon, but give him E for effort.
• We Belong Together – The Robert & Johnny hit.
• Bluebirds Over The Mountain – A hit by Ersel Hickey. I don’t have it. But I have the hit version by The Beach Boys, which, come to think of it, wasn’t much of a hit.
• In A Turkish Town – A touch of the exotic, it always adds something to what would otherwise be a run-of-the-mill pop song. I don’t know what it adds exactly, but it adds *something.*
• Cry, Cry, Cry – Not the Johnny Cash song, and not the Bobby Bland song.
• The Paddiwack Song – This Old Man, Ritchie Valens style. Mitch Miller recorded this song, but not like this…
• Stay Beside Me – Stay with me, be with me, support me, believe in me. Donna redux, really.
• La Bamba – Some kind of Mexican folk song, it was considered somewhat sacrilegious when Valens made a hit out of this. I grew up thinking that it was by Trini Lopez, who indeed did a moderately successful remake, but it was Valens who first put it on the chart. It was the B side of Donna, peaking on the charts slightly earlier.
• That’s My Little Suzie – This is Bony Maronie redux. From the spring of 1959.
• Ooh! My Head – A Little Richard rip-off (Ooh My Soul). Zeppelin ripped it off from Richie Valens, on Physical Graffiti, and got into a legal jam.
• Hi-Tone – A song about finding the real person under the snobby exterior. Never judge a book by its cover
• Hurry Up – Kind of a proactive Stood Up. Richie isn’t pleased…
• Framed – I was walkin’ down the street, says Richie off the top, identifying himself as “Henry.” A Leiber – Stoller song. It was never a hit for anyone, but there are versions by The Coasters, by Bill Haley & His Comets, and by Burton Cummings.
• Last Freight – An instrumental. Richie demonstrates his guitar virtuosity.
• Little Girl – A ballad in the Buddy Holly style. It was the last hit that Richie had, from the summer of 1959.
• Malaguena – In case Last Freight left any doubt in our minds…
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